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It’s that time of year again writers, readers and friends. We here at Hot Metal Bridge are ready and willing to pore over your finest literary submissions in preparations for the fifth iteration of Hot Metal Bridge, due to be released later this spring. Below you’ll find the updated call for submissions from the various genres. So whether it be fiction or criticism, nonfiction or poetry, send us your work by Monday, February 23rd. We look forward to it.

Submissions Guidelines:

Fiction:
Hot Metal Bridge is interested in your well-crafted literary fiction, whether short story, flash fiction, or novel excerpt. What counts as literary? Just don’t send us a story about spaceship-flying dinosaurs. That said, we like aesthetic diversity, from realism to surrealism, maximalism to minimalism. And if you simply write stories and don’t care about literary classifications, send us your work too. We accept submissions as Word attachments sent to fiction@hotmetalbridge.org. Please keep submissions under 7,000 words and make sure to include your name and contact information.

Poetry: 
We are many, and our tastes differ, but as this is an entirely online journal, there’s no reason not to read the past issue before submitting (it’s good, we promise). If you can smell what we’re stepping in, then send something our way. Down to business. We welcome poetry submissions of five (5) pages or five (5) poems, whichever comes first. Please attach your submission as one document (we prefer .doc, but .docx .rtf or .pdf will all work) with your name appearing at the top of the first page. E-mail subject heading should read “Spring Poetry Submission” and in the body, you may include a short bio or cover letter, if that strikes your fancy. Send your work our way:poetry@hotmetalbridge.org.

Nonfiction:
We’re looking for nonfiction writing in all its disguises: memoir, travel writing, literary journalism, satire, etc. We want to hear about dirty kitchens, ill-mannered exchange students, and hydrogen bonding. We will read about decaying vineyards, heroic mall guards, disenchanted cartographers, and sweet potatoes. Look, just don’t James Frey us and everything will be fine. If it’s new and it’s true, send 500 to 5,000 words as a Word or RTF attachment to nonfiction@hotmetalbridge.org.

Criticism:
Hot Metal Bridge criticism is looking for innovative academic or non-academic work from professional, student, and other sources. As a forum for a variety of approaches to cultural criticism, we want your seminar and conference papers, your unpublished chapters, your articles and miscellany. Our aim is to create a space for previously unpublished pieces which may not find an easy home elsewhere. Because critical work is inherently creative, we encourage interdisciplinarity and hybridity in both form and content. Send us your poor, your tired, your huddled pages yearning to breathe free. We want to give voice to ideas that might otherwise be confined to obscurity. Submissions should be about 1 to 30 pages in MLA style. Send Word documents as attachments to criticism@hotmetalbridge.org.

And finally, good luck to all of you and we hope you’ll stay turned for upcoming book reviews, podcasts and our glorious fifth issue.

-Sal Pane and Geoff Peck
Editors

Hot Metal Bridge’s third issue, “American Light,” is set to debut at any moment. Please expect it by/on April 1.

We apologize for the slight delay and promise to repay you in gold coin — or rather, in fiction, poetry, nonfiction, criticism, and art, all of which we’d take over gold any day.

Yours, with anticipation,
The Editors

In Harper’s November issue, memoirist Joel Agee explores the idea of memory as art in an essay on memoir called “A Lie that Tells the Truth.” The title gives a good idea of Agee’s peregrinations in the essay. Names like Breton and Cocteau are invoked. The possible use of the “L”-word (literature, in this case) in a non-ironic fashion is discussed. Disparities between European genres and common American rubrics are observed.The essay does provide some stellar quotes…

On cultural prejudice against the illegal alien in creative nonfiction: An army of truth tellers has conquered large numbers of the dwindling faithful who still read books. Confession, in print and on TV, is fast becoming the primary public mode in which human interiority speaks and is heard. The self-avowed lies of fiction are no longer in fashion. Subjectivity and imagination, it seems, are slipping the border into the non-fiction columns, where they live as quasi-illegal aliens, poorly housed among the facts, performing thankless but necessary labors.

On the “L”-word: It amazes me that I am old enough now, and perhaps foreign enough, to remember a time and a place when people still used that word without an ironic or apologetic smile…. Read the rest of this entry »