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It’s that time of year again writers, readers and friends. We here at Hot Metal Bridge are ready and willing to pore over your finest literary submissions in preparations for the fifth iteration of Hot Metal Bridge, due to be released later this spring. Below you’ll find the updated call for submissions from the various genres. So whether it be fiction or criticism, nonfiction or poetry, send us your work by Monday, February 23rd. We look forward to it.

Submissions Guidelines:

Fiction:
Hot Metal Bridge is interested in your well-crafted literary fiction, whether short story, flash fiction, or novel excerpt. What counts as literary? Just don’t send us a story about spaceship-flying dinosaurs. That said, we like aesthetic diversity, from realism to surrealism, maximalism to minimalism. And if you simply write stories and don’t care about literary classifications, send us your work too. We accept submissions as Word attachments sent to fiction@hotmetalbridge.org. Please keep submissions under 7,000 words and make sure to include your name and contact information.

Poetry: 
We are many, and our tastes differ, but as this is an entirely online journal, there’s no reason not to read the past issue before submitting (it’s good, we promise). If you can smell what we’re stepping in, then send something our way. Down to business. We welcome poetry submissions of five (5) pages or five (5) poems, whichever comes first. Please attach your submission as one document (we prefer .doc, but .docx .rtf or .pdf will all work) with your name appearing at the top of the first page. E-mail subject heading should read “Spring Poetry Submission” and in the body, you may include a short bio or cover letter, if that strikes your fancy. Send your work our way:poetry@hotmetalbridge.org.

Nonfiction:
We’re looking for nonfiction writing in all its disguises: memoir, travel writing, literary journalism, satire, etc. We want to hear about dirty kitchens, ill-mannered exchange students, and hydrogen bonding. We will read about decaying vineyards, heroic mall guards, disenchanted cartographers, and sweet potatoes. Look, just don’t James Frey us and everything will be fine. If it’s new and it’s true, send 500 to 5,000 words as a Word or RTF attachment to nonfiction@hotmetalbridge.org.

Criticism:
Hot Metal Bridge criticism is looking for innovative academic or non-academic work from professional, student, and other sources. As a forum for a variety of approaches to cultural criticism, we want your seminar and conference papers, your unpublished chapters, your articles and miscellany. Our aim is to create a space for previously unpublished pieces which may not find an easy home elsewhere. Because critical work is inherently creative, we encourage interdisciplinarity and hybridity in both form and content. Send us your poor, your tired, your huddled pages yearning to breathe free. We want to give voice to ideas that might otherwise be confined to obscurity. Submissions should be about 1 to 30 pages in MLA style. Send Word documents as attachments to criticism@hotmetalbridge.org.

And finally, good luck to all of you and we hope you’ll stay turned for upcoming book reviews, podcasts and our glorious fifth issue.

-Sal Pane and Geoff Peck
Editors

Dear Readers, writers, friends, curious ones, ex-lovers, those eating lunch:

Our fourth issue is nearly set to debut! Like an anxious dancer it waits in the wings, pulling down its too-short tutu.
Barrring any kind of editorial/personal meltdown, the finest fiction, art, criticism, nonfiction and poetry we could find should arrive on your proverbial doorstep this Monday.

So tighten your suspenders, friends. We can’t wait to hear what you think.

Yours,
The Editors

Hello, hello! Today is the final day to submit a piece of fiction, nonfiction, criticism, or poetry for consideration in our fourth issue. We accept submissions electronically (see the Call for Entries for further details), so all it takes is the magical click of a button. We look forward to seeing your lovely language, your tall tales, your astute cultural observations!

Many thanks, and happy submitting.

Yours,

The Editors

Hot Metal Bridge’s third issue, “American Light,” is set to debut at any moment. Please expect it by/on April 1.

We apologize for the slight delay and promise to repay you in gold coin — or rather, in fiction, poetry, nonfiction, criticism, and art, all of which we’d take over gold any day.

Yours, with anticipation,
The Editors

Our spring submission deadline is so soon, you can smell it: like that strange perfume your grandmother used to wear, like the shepherd’s pie you forgot you were reheating, like the rugby player who chose to sit next to you on the bus on the rainest day of the year.

Luckily for you, Hot Metal Bridge is both more fortunate and more attractive than a slack-jawed neanderthal. Also, as an online magazine, it has no odor to speak of.

Submit! Submit quickly! And make it good.

Yours,
Kelly and Ashleigh

This is old news but has escaped my attention until now: The Atlantic Monthly is accepting entries for its annual student writing contests. (Student status being of the undergrad or grad varieties.) Entries accepted in fiction, poetry, and something called “personal or journalistic essays” that sounds a lot like creative non-fiction.

Prizes are $1,000 for first place, $500 for second and $250 for third. Postmark deadline is December 1.

The best part? No entry fee.

Full details here. Good luck.

It seems that several times over the last year, I’ve looked in the front matter of a book of short stories I’ve been enjoying, and in the place where the author thanks those publications that originally printed his or her stories, I’ve seen the journal Salt Hill listed as one of them. (Although I can only think of the example of Mary Gaitskill’s Because They Wanted To at the moment.) Google “Salt Hill,” though, and you turn up a bunch of results pertaining to pubs called Salt Hill or, yes, salt hills.

It’s not just me. Fellow fiction ed. Ashleigh heroically compiled a long list of literary magazines over the summer, and her listing for Salt Hill was something like “Not sure this still exists.” We just figured it had gone the way of the dodo, so to speak.

Au contraire! Today, via Pitt’s super-useful “dist list,” comes word that Salt Hill not only exists, but is welcoming submissions for its 21st issue. It turns out too that it’s affiliated with Syracuse University.

Here is relevant info from the aforementioned e-mail, followed by an explanation of why I’m not just putting up a link:

“The editors welcome submissions of poetry, prose, translations, reviews, essays, interviews and artwork submitted by April 1. We do not accept electronic submissions.

“. . .

“To submit address your work to the appropriate editor
(poetry, fiction or nonfiction) at:

“Salt Hill
Syracuse University
English Department
Syracuse, NY 13244″

And now here is the web address they provided: SaltHillJournal.com. Click on it. Type it in yourself and see where it goes.

This is the most utterly mysterious literary magazine I have ever heard of.

-Adam

AWP is almost here

Last year, before I was in an MFA program, I happened to be in Austin while AWP was taking place. I snuck into a couple panels and crashed a party where Neal Pollack sang with his band (this was punk-rock Pollack, not alternadad Pollack). It all made me think AWP was a very cool conference, and I dreamed of going.

Now AWP is hardly more than a week away and I get to go for reals. The panels look great. I’ll also be trying to find magazines like Hobart and Pindeldyboz and Small Spiral Notebook on the floor. And like all conferences, there are the parties. The Emerging Writers Network is calling for an informal get-together early Thursday at the Mariott’s sports bar and Post Road is having a party Friday at the Mark Ultra Lounge.

See you at AWP!

How long should it take a journal get back to people who’ve sent in submissions? Bookfox looks at his experiences and find Zoetrope — with a response time of 369 days — wanting. Here’s his tally:

I’ll have a tiny journal like Apple Valley Review reject my short shorts in less than a week, while a heavy hitter like Columbia Journal still hasn’t responded to a story I mailed out in January 2006 (and neither have they responded to email queries, and my last short story I sent them took a year and a half to receive a reply). On the other hand, Glimmer Train is practically a model for speed. Zyzzyva is another one that has been prompt, and as a plus, Howard Junker’s rejection slip is the nicest I’ve ever read. Kenyon Review and One-Story have both been pretty quick. I’ve had multiple relative die while waiting to hear back from The Chattahoochee Review (and still have an outstanding story. . .) and Notre Dame Review clocked in at a snail pace of 8 months and 9 months for two separate submissions.

So what’s the problem? Is it the volume of entries? The fact that once an issue’s stories are selected, editorial staff just want to move on?

Rest assured, you can submit to Hot Metal Bridge and you’ll hear back before any of your relatives die.