Nicole Walker’s This Noisy Egg: Review by Amy Whipple
Anthony Bourdain’s Medium Raw: Review by Erin Lewenauer
Scott Turow’s Innocent: Review by Erin Lewenauer
Jeffrey Thompson’s Birdwatching in Wartime: Review by Dmitry Berenson
Sarah Waters’ The Little Stranger: Review by Kathleen Davies
Michael Czyzniejewski’s Elephants in Our Bedroom: Review by Erin Lewenauer
John D’Agata’s The Lost Origins of the Essay: Review by Joshua Schriftman
Heidi W. Durrow’s The Girl who Fell from the Sky: Review by Liberty Hultberg
Jonathan Lethem’s Chronic City: Review by Steve Gillies
Gabrielle Calvocoressi’s Apocalyptic Swing: Review by Amanda Brant
Maile Meloy’s Both Ways is the Only Way I Want It: Review by Loring Ann Pfeiffer
Margaret Atwood’s The Year of the Flood: Review by Bradley J. Fest
Charles Baudelaire’s My Heart Laid Bare translated by Ariana Reines: Review by Chad Vogler
Michael Chabon’s Manhood for Amateurs: Review by Erin Lewenauer
Thomas Pynchon’s Inherent Vice: Review by Bradley J. Fest
Allison Amend’s Things That Pass for Love: Review by Robert Yune
Chris Adrian’s A Better Angel: Review by Adam Reger
Patrick deWitt’s Ablutions: Review by Emily Testa
Richard Yates’ The Easter Parade: Review by Sal Pane