Fiction
new Katey Schultz’s Flashes of War: Review by Brett Sholtis
Daniel Defoe’s Robinson Crusoe: Review by Caroline Benner Wolff
Lauren Groff’s Arcadia: Review by Jennifer Bannan
Tamas Dobozy’s Seige 13: Review by Tyler McAndrew
Sam Savage’s The Way of the Dog: Review by Jacob Spears
César Aira’s Varamo: Review by Jonathan Vander Woude
Justin Torres’s We the Animals: Review by Stephanie Wilson Rothfuss
Andrew Miller’s Pure: Review by Jacob Spears
Joshua Henkin’s The World Without You: Review by Jennifer Bannan
Esi Edugyan’s Half-Blood Blues: Review by Nicole Bartley
Lysley Tenorio’s Monstress: Review by Jason Sattler
Michel Houellebecq’s The Map and the Territory: Review by Jacob Spears
John Green’s The Fault in Our Stars: Review by Nicole Bartley
Ben Lerner’s Leaving the Atocha Station: Review by Adam Reger
Monica Ali’s Brick Lane: Review by Eileen Y. Lee
Téa Obreht’s The Tiger’s Wife: Review by Adam Reger
Rosamund Lupton’s Sister: Review by Beth Steidle
Gina Ochsner’s The Russian Dreambook of Color and Flight: Review by Rosemary Callenberg
Kevin Brockmeier’s The Illumination: Review by Nicole Bartley
Alan Moore’s Voice of the Fire: Review by Steve Gillies
A.A. Milne’s The House at Pooh Corner: Review by Jacob Thomas Berns
Chris Bachelder’s Abbott Awaits: Review by Adam Reger
Charles Baxter’s Gryphon: Review by Stephanie Wilson
Maurice Blanchot’s Death Sentence: Review by Andrea Applebee
Joyce Carol Oates’ Give Me Your Heart: Review by Elaine Meyer
Steve Martin’s An Object of Beauty: Review by Jonathan Gotsick
Karen Russell’s Swamplandia!: Review by Emma Komlos-Hrobsky
David Means’ The Spot: Review by Julie Draper
Ursula K. Le Guin’s The Left Hand of Darkness: Review by Kate Sedon
Ethel Rohan’s Cut Through the Bone: Review by Chris Lee
Yuri Rytkheu’s A Dream in Polar Fog: Review by Jennifer MacGregor
Bryan Lee O’Malley’s Scott Pilgrim: Review by Steve Gillies
Ha Jin’s A Good Fall: Review by Jessica Wang
Scott Turow’s Innocent: Review by Erin Lewenauer
Sarah Waters’ The Little Stranger: Review by Kathleen Davies
Susan Minot’s Monkeys: Review by Rosemary McMillen
Michael Czyzniejewski’s Elephants in Our Bedroom: Review by Erin Lewenauer
Heidi W. Durrow’s The Girl who Fell from the Sky: Review by Liberty Hultberg
Jonathan Lethem’s Chronic City: Review by Steve Gillies
Maile Meloy’s Both Ways is the Only Way I Want It: Review by Loring Ann Pfeiffer
Margaret Atwood’s The Year of the Flood: Review by Bradley J. Fest
Thomas Pynchon’s Inherent Vice: Review by Bradley J. Fest
Allison Amend’s Things That Pass for Love: Review by Robert Yune
Chris Adrian’s A Better Angel: Review by Adam Reger
Patrick deWitt’s Ablutions: Review by Emily Testa
Richard Yates’ The Easter Parade: Review by Sal Pane
Joan Silber’s The Size of the World: Review by Emily Stone
Nonfiction
new Andreas Kluth’s Hannibal and Me: Review by Clinton Coggins
new Amy Leach’s Things That Are: Review by Amanda Giracca
new Ginger Strand’s Inventing Niagara: Beauty, Power, and Lies: Review by Nikki Carroll
Elaine Scarry’s On Beauty and Being Just: Review by Jarrell Wright
Joan Didion’s Blue Nights: Review by Laura Clark
Lauren Redniss’ Radioactive: A Tale of Love and Fallout: Review by Maria Sholtis
Albert Camus’ The Rebel: Review by Andrea Applebee
Liza Bakewell’s Madre: Perilous Journeys with a Spanish Noun: Review by Emily Stone
David Rakoff’s Half Empty: Review by Jessica Wang
Eula Biss’ Notes from No Man’s Land: American Essays: Review by Jessica Wang
Christiane Kohl’s The Witness House: Review by Nicole Carroll
Asale Angel-Ajani’s Strange Trade: Review by Jessica FitzPatrick
David Foster Wallace’s Everything and More: Review by Robyn Jodlowski
Anthony Bourdain’s Medium Raw: Review by Erin Lewenauer
John D’Agata’s The Lost Origins of the Essay: Review by Joshua Schriftman
Michael Chabon’s Manhood for Amateurs: Review by Erin Lewenauer
Poetry
J.A. Tyler’s Comatose: Review by Laura Brun
Charles Simic’s The World Doesn’t End: Review by Beth Steidle
Bob Hicok’s This Clumsy Living: Review by Mandy Malloy
Anna Moschovakis’s You and Three Others Are Approaching a Lake: Review by Mandy Malloy
Nicole Walker’s This Noisy Egg: Review by Amy Whipple
Jeffrey Thompson’s Birdwatching in Wartime: Review by Dmitry Berenson
Gabrielle Calvocoressi’s Apocalyptic Swing: Review by Amanda Brant
Charles Baudelaire’s My Heart Laid Bare translated by Ariana Reines: Review by Chad Vogler
Mixed Collections
M.L. Liebler’s Working Words: Review by Amanda Brant
Interviews
Stewart O’Nan: Interview by Carrie Milford